Re: [Harp-L] Django Reinhardt
- To: "David & Jackie Naiditch" <french10@xxxxxxxxxxx>
- Subject: Re: [Harp-L] Django Reinhardt
- From: Benoît FELTEN <benoit.felten@xxxxxxxxx>
- Date: Tue, 26 Jan 2010 10:11:21 +0100
- Cc: harp-l@xxxxxxxxxx
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If you love Gypsy Jazz and if you love harmonica, I can only recommed the
truly amazing compilation Harmonica Swing, painfully built up by Frémeaux. I
reviewed it back in 2005:
http://www.musicalramblings.com/2005/06/harmonica_swing.html
Not only will you hear Adler and Django, but you'll hear Max Geldray and
Danny Kane, two masters of the chromatic swing jazz and many many more...
There's a young and talented French chromatic player who plays in this genre
called Thomas Laurent. He plays in a band called Oulitsa. Listen to "79":
http://www.myspace.com/oulitsa
Anyway, great to see there's some gypsy jazz love here. With the festivities
surrounding Django's 100, we have gypsy jazz concerts all over the place and
it's paradise !
Tonight, I'm checking out Angelo Debarre and Ludovic Beier, it's going to be
a blast !
Benoit
2010/1/24 David & Jackie Naiditch <french10@xxxxxxxxxxx>
> For those who enjoy gypsy jazz, I recommend celebrating Django’s 100th by
> seeing the European gypsy jazz virtuosos Dorado Schmitt (guitar), Samson
> Schmitt (guitar), Marcel Loeffler (accordion), and Pierre Blanchard
> (violin). They are making a rare US tour to Minnesota, Santa Cruz,
> Hollywood, Costa Mesa, New York, and other locations. For more info, see
>
> http://www.djangobirdland.com/
>
> I love playing gypsy jazz on the chromatic and plan to attend the weekend
> jams at “Django in June” on June 18 and 19 at Smith College in Northampton,
> MA.
>
> http://www.djangoinjune.com/
>
> I also plan to attend the Northwest Djangofest at Whidbey Island in
> September:
>
> http://www.djangofest.com/nw/
>
> This festival has great jams and you meet musicians form all over the
> world.
>
> If you play gypsy jazz, please join me. It’s lonely being the only
> harmonica player at these events. (Gypsy jazz harmonica players are even
> rarer than bluegrass harmonica players.) I’ve learned dozens of heads,
> mostly from Robin Nolan’s Gypsy Jazz Play-Along CDs, and then learned to
> improvise around the chord changes. As typical in jazz jams, folks take the
> head, then go around the circle improvising, then ending by returning to the
> head. Seems gypsy jazz musicians are comfortable with the sound of the
> harmonica because it resembles the accordion, one of the traditional gypsy
> jazz instruments.
>
> -- David Naiditch
>
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--
Benoît FELTEN (http://twitter.com/fiberguy)
www.fiberevolution.com
www.musicalramblings.com
www.apprentiphotographe.com
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